Wednesday, 22 May 2013

The Hunger Games by Suzanne Collins

My Rating:1 Star2 Star3 Star



Could you survive on your own, in the wild, with everyone out to make sure you don't live to see the morning? 

In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. 

Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she steps forward to take her sister’s place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. 

If she is to win, she will have to start making choices that will weigh survival against humanity and life against love. From GoodReads




I first tried to read The Hunger Games a couple of years ago, and didn’t get more than a few chapters in. I really enjoyed watching the movie, though I wasn’t really tempted to try the books again. It has recently been brought to my attention that it is some kind of travesty that I did not read and like the trilogy, so I decided to give the audiobook a go. While I did find it a lot more enjoyable this time around, I still did have my problems with it.

I found the beginning of the novel quite slow going. I’m not a big fan of first person narrative, and it’s mostly due to books like this that devote far too much time making the same point, and making it as obviously as possible. Katniss is poor, dirt poor, and she lives in one of the poorest Districts of a post cataclysmic country. She’s the sole provider in her family, and has been since a very young age. All these are character aspects that should create feelings of sympathy at the very least in a reader but due to the execution of the plot I found quite tedious. I didn’t need to know that she’s never had a shower before to know that’s she’s underprivileged. I also didn’t need to see her marvel at the many wonders of its various nozzles, or at fancy silverware. It frustrated and bored me so much the first time that I gave up not long after she got on the train towards the Capitol.

What I would have liked more of was a history of how her world came to be. We are told that something happened, and an area surrounded by mountains was able to better protect itself and thus emerged the leader of America (now, for some reason, called Panem). But what was this ‘something’ that happened, and did it affect the rest of the world too? Obviously, as is usually the case when desperation and fear run rampant, people started fighting over resources and things got ugly. But I really wanted to know more about the Capitol, because you have got to respect someone that comes up with the idea of making children hack each other to death to teach them their place.

This was the concept that always intrigued me about the book, right from the very beginning of its popularity. I’m always intrigued by the concept of what happens when you stick a whole bunch of people, be it strangers or friends and family, in a situation that appears to be “life or death” and let shit happen. It is the best kind of character study you can create and it’s why movies like Saw (though I have never watched it) are so popular. Morals and ethics change so much when a person believes their life is in danger and people will often do very uncharacteristic or inexplicable things when their life is on the line.

Before I had even come close to reading this book I had been told time and time again about how revolutionary it was, how unique and amazing, but also how violent and graphic. While I fully admit that the concept of the Hunger Games is fascinating, I did not find it all that new and, in the end, not very graphic or violent at all.

I cannot help comparing The Hunger Games to William Golding’s Lord of the Flies in which, much like The Hunger Games, a group of early teens are stranded on an island and must fight to survive. While there may not be a murder hungry group of crazies glued to a TV screen to watch 24 teenagers kill each other, I found Lord of the Flies to be a much more haunting, violent novel. The depths of depravity to which those kids descend, and what they do to poor Piggy and the other outcasts far outweigh anything that happens in the Hunger Games.

The morals and ethics inside the Hunger Games are quite fascinating. Let’s forget for a moment that there’s outlandishly over the top ‘villains’ watching poor people kill each other for fun and betting on the contestants, and focus on what happens in the arena. There’s 24 kids, ranging from 12 to 17 years old, told that they’ve got to kill each other to get the chance to go back home. Years of watching the Games have conditioned these kids out of any instinct to resist or to collectively revolt and refuse to kill each other. They’re going to kill, and they’re going to do it either for the pride and glory, like the richer districts, or because it’s the only way to assure a lifetime of food for the poor districts.

Among those are some that refuse to kill, this time around it’s Katniss, Peeta, Rue and presumably “Fox Face”. Katniss is, obviously, the most developed character and a really great example of the interesting ethics in this novel. Katniss, as I mentioned before, became the breadwinner of her family at a very young age and her main source of income came from her ability to hunt the out of bounds forests surrounding her town. This gives her a distinct advantage over most of the other contestants, minus the ones that are supposedly trained to kill in secret. Not only is she excellent at providing her own food, but she’s got years of practise of hunting and killing prey. She goes in the arena determined not to kill unnecessarily, which of course is a good thing because society tends to prefer people who don’t like to kill other people.

While this is an admirable trait to want to go through life not killing people, it really began to grate on me after a while. The first people Katniss kills are the two girls that get stung by the Tracker Jackers. Katniss, if you ask her, will insist that she didn’t kill them; the stings did. Except that really doesn’t work for me. Yes, the girls died from being stung too many times by a poisonous wasp, but they got stung by those wasps because Katniss, knowing full well that people have died from the stings, and knowing that they are very vicious insects, cut the nest loose so that it fell at their feet. Katniss may have used a third party weapon to do the job, but she still pulled the trigger.

The next time Katniss kills a person, it’s the boy from District 1 that killed Rue. This time, Katniss is in immediate danger, and riding a wave of fury over him spearing Rue. While I wasn’t shocked by the act itself, having already seen the movie, I was quite surprised by Katniss’ reactions afterwards. Yes, she should be sad; death is upsetting, and being the person responsible for it even more so. But this is not the first person Katniss has killed, and if she hadn’t killed him, he would have killed her. Her level of grief seemed even more unnatural compared to the deaths of the animals she kills along the way. Yes, I’m a vegetarian, so I noticed this aspect more, but Katniss routinely hunts rabbits, deer and grooslings, all herbivores that have not provoked her in anyway. In a very short period of time, Katniss manages to hunt three grooslings before they’ve even had time to realise they’re being hunted, and also kills someone who has intentionally killed others, including a relatively defenceless twelve year old girl. The boy from District 1 was atleast 16 or 17 (nearly a legal adult), has deliberately sought out other contestants to kill them, speared a 12 year old girl who was already caught in a net and incapacitated and has chosen of his own free will, perhaps not to be in the Games, but atleast to be an aggressor rather than an evader. But sure, let’s be sad about his death while we munch on a juicy rabbit leg.

Overall, I was expecting The Hunger Games to be a lot more violent and graphic than it actually was not necessarily because I enjoy that, but because it was what I had been told again and again. If you get told that American Pyscho is a novel about a guy with a slight chemical imbalance, you’re destined to end up horrified. Similarly, going in expecting a lot of violence, I was a bit disappointed by the lack of it, especially when half the group is killed in the first ten minutes.

Once the story got going, or the Games actually started, I did start to really enjoy the story. I really enjoyed all the survival aspects of the story, with Katniss trying to evade the aggressors of the contest, and her foraging and yes, to a degree, the hunting. Katniss has an amazing ability and determination to adapt and survive in and out of the arena and I really wanted her to succeed just to see how she would continue to outsmart her competitors. I really liked her resourcefulness and ability to anticipate what her next move should be, but also anticipate and analyse the moves of those around her, including the Capitol.

There are some sweet moments in the novel, like Katniss and Rue’s interactions and alliance. It was nice to see that though Rue might be small lack any fighting skills, she was still able to be a strong contender in the race because she made up for it in other skills, especially when it comes to shadowing those that might help her, and her keen observation skills. I thought the District 11 bread was a nice touch, especially since obviously can’t get the reaction we got in the movie since it’s told from Katniss’ perspective.

Of the sweet moments, Katniss and Peeta’s relationship does not rank. I actually found their relationship quite tedious, mostly due to Katniss’ incredible naiveté about what was actually happening. Because it was so calculated on her side, I found it nigh on impossible to root for them, and I found the lie of their relationship quite sad. As such, I was rather glad that they didn’t end the book together, though I like that they’ve got to keep up the pretence, and I hope that they’ll atleast reunite on a much more even footing. Speaking of equal footing, I find it quite interesting that all of Katniss’ injuries sustained in the Games were completely healed, with not even a scar left from her burns or any hearing loss from her presumably ruptured ear drum, while poor Peeta has lost his leg and had it replaced with some kind of bionic prosthesis.

The ending seemed quite anti-climactic compared to the movie, especially because the plot slows right down again but I liked that it ended on such an ominous note compared to the movie which has an overwhelming sense of victory about it. I’m really looking forward to seeing the response of the Capitol, though technically I already know what happens in the rest of the series, because I really want to see how they take back control over the threat Katniss unintentionally represents, and for the Mockingjay pin to really take on the significance it was given in the movie, but not the book.

Sunday, 19 May 2013

Quote of the Week (13) Chance






Rather than the grey and dreary institutions of public perception, these should be places of innovation and experiment, where readers can take a chance on a book, pick one because they like the look of the cover or the title or because they see it returned by the gorgeous young man who lives in their street. After all, they will have absolutely nothing to lose. The book will be free.  
Ann Cleeves
The Library Book



Heh. I would totes borrow the book that the pretty boy returned. 

Wednesday, 15 May 2013

Royal Street by Suzanne Johnson

My Rating:1 Star2 Starhalf Star


As the junior wizard sentinel for New Orleans, Drusilla Jaco’s job involves a lot more potion-mixing and pixie-retrieval than sniffing out supernatural bad guys like rogue vampires and lethal were-creatures. DJ's boss and mentor, Gerald St. Simon, is the wizard tasked with protecting the city from anyone or anything that might slip over from the preternatural beyond. From GoodReads





A secluded Louisiana bayou. A sexy pirate. Seduction and deceit. My Friday afternoon had the makings of a great romantic adventure, at least in theory.
In practice, angry mosquitoes were using me for target practice, humidity had ruined any prayer of a good hair day, and the pirate in question – the infamous Jean Lafitte – was two hundred years old, armed, and carrying a six-pack of Paradise condoms in assorted fruit flavours.


Royal Street is set during the days leading up to, and the aftermath, of Hurricane Katrina when not only did the levees break, but the barriers keeping the paranormal element from the human world is broken.

A borrower at work first brought this to my attention and I was intrigued by the blurb on the back cover. I thought it was a really interesting concept to use a natural disaster as the starting point for a paranormal novel and I really enjoyed reading about the Hurricane Katrina and the effect it has had on New Orleans. You can feel throughout the whole novel how much Johnson loves her city and truly begin to understand the utter devastation felt by those that lost their home and their town. I found the day to day details of the recovery process fascinating and I thought the little snippets from newspaper articles included at the beginning of some chapters was a nice touch.

Unfortunately, the execution of the urban fantasy portion of this novel did not work. I’m not entirely sure why Johnson chose to turn this into an urban fantasy; it’s clear her true love is talking about her city and that is not a bad thing. Perhaps, and I’m being very cynical here, the window for publishing a biography about Katrina has closed, and someone somewhere along the lines did the math on how well paranormal romance and urban fantasy sells, I don’t know. What I do know is that while I felt nothing but love for New Orleans, and the suffering people went through, I felt no love at all for the genre and you can’t write well for a genre you don’t love.

DJ is a Green Congress junior wizard sentinel for New Orleans. If you’re not quite sure what that means, don’t ask me because I read the novel and I still don’t know what it means except that she’s got quite an extensive herb garden in her upstairs spare bedroom. Her job is to fix any “breaches” in the barrier between the Now and the Beyond. These breaches might be a pesky pixie, a thirsty vamp or a lonely Louis Armstrong who just wants to play some music. Hurricane Katrina causes more damage than the destruction of almost an entire city though, because it somehow also breaks the invisible barrier between the human world and the one where all the paranormal nasties got banished, and DJs boss and mentor, Gerry, has disappeared.

I found DJ to be a fairly weak character, more supporting role than leading lady material. I was never able to get a good grasp of her character – what are her interests, hobbies, passions, deepest darkest fears? I know she feels abandoned by her family and I know she’s some kind of wizard, but apart from that very little about her is developed. Not only was she a poorly developed character, but also a poorly executed one too. DJ is never in control of the situation or her surroundings, and she barely feels in control of herself and who she is. Even when walking into dangerous situations, I never got the feeling that DJ herself wanted to be there, she was only there because that’s what a main character would do in that situation.

I wanted nothing more than to run out of the cemetery with them, but that wasn’t an option. I was so not cut out to be a hero. A hero wouldn’t shake and feel like throwing up. A hero would whip out a staff or a gun and take charge of the situation. I picked the tallest guy still among the onlookers and wedged in behind him.

The wizarding element of the novel is also poorly developed; there are different colours of wizards but there is very little attempt to explain the difference and absolutely no attempt to explain how wizards came to be and why it is up to them to keep the paranormal element out while they stay in. It would have been nice to get some of the backstory of DJ’s training, in order to gain a better understanding of what it is she does but also to allow some attempt at bonding with her.

The supporting cast didn’t fare much better than DJ – they are also fairly underdeveloped characters, though there was potential to make them more substantial. DJ’s new partner is Alex, an “enforcer” who appears to do the dirty work for the Sentinels and has an impressive collection of weapons. He seemed to me to fill the job of Ranger in the movie version of One for the Money; there to teach DJ all the ways in which she was inept and then to rescue her when she needed help. Alex’s cousin, Jake, has some potential to be an interesting character in future books but I’m glad that DJ didn’t establish a romantic relationship with either character at this stage.

By far the most interesting character for me was the undead pirate Jean Lafitte. He was the one character that had personality and a sense of humour. Though I’m not really sure whyhe kept hopping across into the human world, I certainly hope he keeps on doing it in the rest of the series. However, despite the fact that I knew he was obviously a very famous person in history, I don’t know why, and a little bit of his back story would have been really nice.

As I mentioned at the beginning, it’s clear that Johnson has a lot of love for New Orleans and a lot to say on how much people suffered during Hurricane Katrina. What is less clear is why she chose urban fantasy as the medium to explore that suffering. Admittedly, I may not have picked up a book exclusively about Hurricane Katrina, but I can’t help but wonder if Johnson’s intentions wouldn’t have been better served in a novel exploring Hurricane Katrina through the eyes of a woman who has lost a family member and must piece her life back together while still trying to search for her loved ones. What she really wanted to say is no more obvious than on the last page, where the paranormal barely even warrants a mention – the emphasis is all surviving Hurricane Katrina.

I wish Katrina had never happened, that the city I love so much hadn’t been so broken, its spirit so damaged, its naïve joy replaced by sorrow and cynicism and anger. Yet I know a lot of things I;ve come to love since the storm would never have been in my life without the pain.
Katrina took, and she gave.

Sunday, 12 May 2013

Quote of the Week (12) Connection






The great unsold truth of libraries is that people need them not because they’re about study and solitude, but because they’re about connection. Connection with other worlds and different views, even if that’s no more than being among other people thinking and breathing.
Bella Bathurst
The Library Book

Friday, 10 May 2013

In My Library Bag (May)



Welcome to May people!





The Hunger Games audiobook by Suzanne Collins - Okay so it is apparently the worst thing ever and a crime against nature that I gave up on The Hunger Games so, just for Brodie and Romi (OMG it rhymes like a crime fighting duo!), I am going to give the audio book a shot. But I make NO promises. 


The Woman Who Wasn't There by Robin Gaby Fisher - I read a review for this a few weeks ago and it sounds fascinating because this woman came out with a story about her experiences escaping from the towers during 9/11 and then as a reporter started doing some back story they discovered that she'd made the whole thing up. 


Portraits of Celina by Sue Whiting - Thanks very much to my friend from Walker Books for giving me a copy so that I can read it, especially because he made it sound awesome. 


Twice Tempted by Jeaniene Frost - So Vlad is awesome and I'm so excited to read the next one in his series. 


There is also a documentary on The Vikings, Dollhouse Season 1, Call The Midwife Season 1, Titanic at 100 and Inside 9/11


Happy reading!

Wednesday, 8 May 2013

Etiquette and Espionage by Gail Carriger

My Rating:1 Star2 Star3 Star4 Star


It's one thing to learn to curtsy properly. It's quite another to learn to curtsy and throw a knife at the same time. Welcome to Finishing School.

Fourteen-year-old Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners—and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality.

But Sophronia soon realizes the school is not quite what her mother might have hoped. At Mademoiselle Geraldine's, young ladies learn to finish...everything. Certainly, they learn the fine arts of dance, dress, and etiquette, but they also learn to deal out death, diversion, and espionage—in the politest possible ways, of course. Sophronia and her friends are in for a rousing first year's education.

Set in the same world as the Parasol Protectorate, this YA series debut is filled with all the saucy adventure and droll humor Gail Carriger's legions of fans have come to adore. From GoodReads





Your day so far has been lacking in travel by dirigible, attacks by flying pirates, mysterious men in top hats, mechanical dogs and flying boarding schools. Fear no more, because I have just the thing to turn this oversight around: Gail Carriger’s Etiquette and Espionage. There’s also projectile cheese pies, disorderly youth in a secret society, sneaking around after bedtime, vampires and werewolves, mysterious packages and those that seek them, boys, an arch nemesis or two and four girls destined to become bosom friends (and hopefully growing some too).

Etiquette and Espionage is a hilariously, fantastical steampunk adventure and my only wish is that I could go back to being 10 years old in order to really, truly love it the way it deserves to be loved. I was honestly tempted to kidnap a ten year old and sit them down while I read the story out to them so I could enjoy their enjoyment of it, because that’s what kind of book this is. I would also really love to see an audiobook of this released, because I think there’s the potential for so much fun with this book.

"I’m not convinced she can be relied upon to follow any sort of plan; you know how adults are.”

This novel had all the best elements for a children’s novel: a floating boarding school in which the headmistress has no idea what goes on, funny names for all the characters like Dimity Ann Plumleigh Teignmott and Mrs Barnaclegoose, flying pirates, spy lessons, insufferable younger brothers and snooty older sisters, and plenty of ladylike spy lessons. Sophronia and her companions get into plenty of scrapes and have plenty of covert adventures as they try to solve the mystery of the mysterious “prototype” that’s gone missing. In fact, apart from the occasional sex joke, I wouldn’t suggest that this book classes as a young adult at all. It has the best of Enid Blyton mixed in with Harry Potter and is blended into Carriger’s unique style of writing and humour. I felt like it was designed for younger children who dream of being older and how exciting life will be when they turn the magic 14, rather than a 14 year old reading about other 14 year olds.


Algebra was far more interesting when it was a matter of proportioning out mutton chops so as to poison only half of one’s dinner guests and then determining the relative value of purchasing a more expensive, yet more effective, antidote over a home remedy.

There is very little not to love about a boarding school that exists of three floating dirigibles, filled with mechanical servants in which the pupils are not only taught to be proper ladies, but proper ladies that engage in corporate espionage and the occasional assassination. What other school would encourage students to lie as an example of their growing skills in deception and teach dance as a means of passing surreptitious notes? And there are certainly very few schools that employ vampires and werewolves.

She put her sewing scissors back into her pinafore and pulled out a hair ribbon. She had to give her teachers credit: they were right to insist that all pupils carry scissors, handkerchiefs, perfume and hair ribbons at all times. At some point she’d learn why they also required a red lace doily and a lemon.



Lady Linette said, “When you hear that in future, Miss Temminnick, it means deck access is restricted and all pupils are to remain stationary and not involve themselves.”
Sophronia didn’t say anything in response to that. In all her fourteen long years she had never stayed stationary and uninvolved in anything.


Sophronia is a really loveable character with an incurable curiosity that has her climbing trees, pulling apart machinery and sneaking around after dark.
Sophronia was never one to let down anyone when fibs were required.
She is the perfect sleuth to uncover mysteries and train to be a spy (she shows no inclination for being an assassin) and is the optimal ring leader for her group of friends.
”Sophronia, really. Do you mean to traumatise me with riddles first thing in the morning? If so, I should warn you, I’d consider that grounds for rescinding all offers of friendship.”

I was pleasantly surprised by the return of two characters from the Parasol Protectorate series, Sidheag and Genevieve. It was a lot of fun to see Genevieve as this tiny little scamp of a child getting up to mischief and already a whiz with anything mechanical. It was really nice to get to know Sidheag a lot more too, as I didn’t particularly warm to her in the Parasol Protectorate novels. New readers to the series will not need to worry though; Sidheag and Vieve are firmly established in their own right in these novels too.


One of Carriger’s main strengths has always been her characters and the new heights of ridiculous to which they endeavour to reach. One of the great elements of fun in this novel comes from her character descriptions, the more humorous the better, and I can see children enjoying them just as much as a trip to Weasley’s Wizarding Wheezes.
He was very pale and boasted an unassuming moustache, which was perched atop his upper lip cautiously, as though it were slightly embarrassed to be there and would like to slide away and become a sideburn or something more fashionable.
Sophronia thought that, even at thirteen, poor Agatha looked like she ought to be someone’s maiden aunt. All she lacked were spectacles and a lapful of ugly but philanthropic crochet.

It was great to being a new series with Gail Carriger, and to see that her amazing talent for humour, fun and adventure has been so brilliantly carried across into a new age bracket. If I could I would quote nearly the entire book, just to be able to share all the amazing bits about it with you all. Like I said before, I would love to see an audiobook of this, and even *fingers crossed* a movie, because I think it would translate to the screen so well.

Sunday, 5 May 2013

Quote of the Week (11) Heartbeats






To reduce a library to simple architecture, bricks and mortar is a mistake. Similarly, to suggest a library is defined by the books on the shelf is erroneous. Libraries are very special spaces, spaces where people come together in separate but joint pursuits of knowledge, of learning. Libraries are the heartbeats of communities.  
Hardeep Singh Kholi
The Library Book
Related Posts Plugin for WordPress, Blogger...